Star Carly Pope. . User rating 6,8 of 10 stars. rating 2321 Votes. The Lost Husband is a movie starring Carly Pope, Kevin Alejandro, and Leslie Bibb. Trying to put her life back together after the death of her husband, Libby and her children move to her estranged Aunt's goat farm in central Texas. genre Romance

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Okay but this actually looks really good. The Lost Husband • Kumu. The lost husband movie where to watch. The lost husband book.

This one looks good. She is the worst actress I ever seen. The lost husband filming locations. I'm so glad I didn't watch the traier before watching the movie, this literally shows everything. Trailers need a complete change of structure, just an artistic view and edition in less than 40 seconds and that's it. They ruin everything, but I guess the industry don't even care. Good movie tho.

Netflix ? hulu, amazon ? cuz this is not making money at the theater. The Lost husband. Young widow meets "hot farmer" and at the same time uncovers family secrets in a Texas-set romance starring Leslie Bibb and Josh Duhamel. Fish-out-of-water story, grief drama, opposites-attract rom-com, family-secrets saga and ode to country living — there are plenty of facets to The Lost Husband, and none of them feels particularly fresh or urgent. With its homespun Hallmark vibe, though, writer-director Vicky Wight's adaptation of a 2013 novel by Katherine Center might be just the kind of comfort food that fans of the romance genre crave right now. Leslie Bibb and especially Josh Duhamel lend a gentle spark to the story of a recently widowed mother of two whose emotional rehabilitation involves learning to run a dairy farm. Wight (who wrote Boy Genius) establishes an idyllic sense of place but struggles to pull together the numerous threads of the novel, ultimately milking the scenery at least as much as Bibb's character milks the goats. The actress-producer plays Libby, who leaves Houston with her young son (Roxton Garcia) and tween daughter (Callie Haverda) for the farm of her long-lost Aunt Jean (Nora Dunn, in overalls). A woman of few words, Jean is the independent, unconventional antithesis of Libby's mom, Marsha (Sharon Lawrence), who's an almost comically drawn villain. Fussily dressed, judgmental and glaring, she drops insults like ashes from her cigarette. She hasn't a maternal bone in her body — and the crucial difference between biological parenthood and caring for a child is one of the potentially stirring ideas that's reduced to a plot point. Even with a big secret simmering between them, the estranged sisters' animosity is played right on the surface, like pretty much everything in the picturesquely generic proceedings. The friction/attraction between Libby and her aunt's farm manager, O'Connor (Duhamel), offers the only exception, at least sporadically. Even as it travels a well-trod romantic path from insults to wariness to the big clinch, there's a nicely underplayed tension between the transplanted city girl and the avowed country boy. Duhamel's sly delivery and self-possession make O'Connor the movie's least neatly defined and most enjoyable character, whether he's helping a kid stand up to bullies or ratcheting up the "hot farmer" act when Libby runs into frenemies from Houston. Like Libby, O'Connor is dealing with a personal loss, but one that's far better explained than hers. The circumstances of Libby's husband's death become less coherent every time they're broached, the screenplay suggesting complications that go unclarified and unexplored. Wight and Bibb do, however, persuasively convey Libby's awakening to the joys of the farm, particularly in a sweet scene with the goats that makes apt use of Bill Withers' "A Lovely Day, " lending a touch of poignancy just days after his death. Through no fault of the actors, two characters that are meant to defy stereotypes feel instead like collections of traits to be filed under "quirky": Jean's boyfriend Russ (Isiah Whitlock Jr. ) is an attorney, feed-shop owner and self-declared conservative — of note only because he's black — and his granddaughter Sunshine (Herizen Guardiola) combines unconvincing backstory with immature rudeness, spiritual pronouncements and unasked-for palm-reading sessions. Mostly, though, the film occupies a place of stock situations and predictable arcs. And through all its half-realized plotlines, The Lost Husband teases out a family mystery. The long-hidden truth, revealed with distracting deliberateness, is hardly the intended bombshell. Even though the movie poses questions worth pondering, it's self-inoculated against doing the pondering. With all the long, loving glances at the orderly pastel interiors of Jean's home, and the constant nudging reassurance of the score, the narrative has been too padded against sharp angles to register a seismic jolt. Available for VOD streaming through iTunes Production companies: Redbox Entertainment, Six Foot Pictures Distributor: Quiver Distribution Cast: Leslie Bibb, Josh Duhamel, Nora Dunn, Sharon Lawrence, Herizen Guardiola, Kevin Alejandro, Isiah Whitlock Jr., Georgia King, Carly Pope, Callie Haverda, Roxton Garcia, Stone Garcia Screenwriter-director: Vicky Wight Based on the novel by: Katherine Center Producers: Bridget Stokes, Vicky Wight, Leslie Bibb Executive producers: Matt Ballesteros, Coert Voorhees Director of photography: Aaron Kovalchik Production designer: Diz Jeppe Costume designer: Olivia Mori Editor: Suzanne Spangler Music: Sherri Chung Casting director: Rori Bergman Rated PG-13, 110 minutes.

Imdb the lost husband. The lost husband wiki. The lost husband rotten tomatoes. The lost husband subtitles. “This is Craigs car” 😆😆. I stop watching the trailer, feel like I seen the whole movie. There are worse things one could do than indulge in a cozy little romance these days, when we are all cooped up at home craving some meaningful human contact. If only writer-director Vicky Wight ’s on-demand drama “The Lost Husband” could have filled that void by audaciously embracing some of the more syrupy, maybe even steamy elements of an often unfairly slighted genre. Instead, Wight delivers a sedated Hallmark-y effort that just hints at heightened emotions — the very kind of rush underserved romance viewers come to this fare seeking — only to repeatedly interrupt and abandon them in puzzling ways. Equally confusing is that deceptive title. Suffice it to say that Wight’s predictable fish-out-of-water tale, adapted from bestselling author Katherine Center’s 2013 novel of the same name, isn’t about a husband at all, but the widowed wife he leaves behind in his wake. She is Libby Moran ( Leslie Bibb), a good-natured mother of two who seems no less lost than her recently deceased husband Danny (Kevin Alejandro) we only get to meet during a pair of by-the-book flashbacks. (In the most cringe-inducing one, Libby can be heard foreshadowing a tragedy with, “Something bad is going to happen! ”) When we meet Libby in the opening moments of the film, something bad has already happened, forcing the young woman and her kids to live with Libby’s self-centered mother Marsha (Sharon Lawrence). Fed up with her egotistical parent’s hardened indifference, Libby walks out on her, heading to her long estranged aunt Jean’s (Nora Dunn) Texan goat farm to make a new start. Leading a fulfilling and calm country life with strenuous demands the suburban Libby is unfamiliar with, the no-nonsense Jean takes Libby under her protective wing at once, guiding her until-then convenience-minded niece with an uncompromising sense of discipline. In her farm, everyone, including animals, has an essential job to do, she regularly stresses. And before Libby gets to fashion herself with quaint braids and change into farm-appropriate denim overalls and cowboy boots, she meets Josh Duhamel ’s blunt, handsomely rugged farm manager James, who supervises the workflow and quickly dismisses Libby’s aspirations to open a “hipster cheese shop” with the dairy the farm produces. If you’re rubbing your eager palms together in anticipation, allow me to confirm that however underdeveloped, a love affair does spark between Libby and James. The pair skip over a meet-cute, but the material still delivers some genre charms via other means, especially when the duo accidentally finds itself locked in a cooler room for hours, bantering and getting to know each other as a result. What’s frustrating is, Wight does very little with that setup, deserting the two and their undercooked chemistry for long stretches of time to look for juicy twists in different avenues. But those regrettable departures don’t exactly land. The script spends a considerable amount of time with, but then unfortunately misjudges a severe incident of school bullying involving Libby’s young daughter — no school administrator would be that apathetic toward a new student who’s been harassed due to her limp. Elsewhere, a long-buried family secret finally gets revealed, earning not much more than a shrug from the audience who’d rather witness the next move between the lovers-to-be. Meanwhile, a pair of paper-thin supporting characters get shamelessly sidelined — the committed Herizen Guardiola’s bubbly townie Sunshine serves no purpose other than help Libby realize hers. Playing Sunshine’s father, Isiah Whitlock Jr. ’s welcome presence goes to waste, with his character merely reduced to comic relief. Lit by cinematographer Aaron Kovalchik’s palatably sun-dappled but daytime-TV-esque aesthetic, “The Lost Husband” is at its most agreeable when it invests in Libby’s adjustment process in familiar but endearing montages. In one scene, she learns the rewarding mysteries of cheese-making; in another, the finally savvy worker finds herself singing to goats. But those brief grace notes get shortchanged by other miscalculated steps. Wight’s sets seldom manage to rise above a certain distracting superficiality — Jean’s supposedly well-worn country kitchen, where we spend a decent chunk of time, looks like it’s recently been outfitted through a shopping spree at Williams-Sonoma, with brand-new pots and pans that have never met a burner before. And it’s not just the production design that doesn’t feel lived in. Rushing through an emotional journey with an uneven pace and clumsy dialogue, “The Lost Husband” aims for familiar sentiments around loyalty, family and sacrifice, but bypasses sincerity, the most crucial ingredient.

The lost husband film. Directed by Vicky Wight Writing Credits (in alphabetical order) Katherine Center... (novel) Vicky Wight... (screenplay) Cast Leslie Bibb... Libby Moran Kevin Alejandro... Danny Josh Duhamel... James O'Connor Carly Pope... Lanie Sharon Lawrence... Marsha Georgia King... Jessica Nora Dunn... Jean Isiah Whitlock Jr.... Russ McAllen Herizen F. Guardiola... Sunshine Callie Hope Haverda... Abby Moran Roxton Garcia... Tank Marquel Skinner... Young Marsha Marcelle Purdy... Nurse Grey Acuna... Young Frank Stone Garcia... Jimmy Carl Thomas... Cowboy Emmy Mize... Farmers Market Patron (as Emily Mize) Nichole Abshire... Mrs. Weeks Ashlyn Rainn Holmes... Bruce Bennett... Melinda Garay... Dancehall Townsfolk Derrick D. Edmond... Bartender Reese Taylor... Young Libby Moran Mark A. White... Matt Rogers... Farmers Market Musician / Chansons et Soûlards Casey Cox... Dancehall Cowboy Nevada Newman... Aria McGarrah... Young Libby Donna Calkins... Farmer's Market Patron Greta McPherson... Jason Howell... Bar Patron / Townfolk Liza Nash... Chris V. Brown... Michael Perron... Taryn Casaubon... Nelly Kardakova... Alison Gersch... Towns folk (as Alison Young) Jarrod Dixon... Self - Farmers Market patron (credit only) Rob Faubion... Farmers Market Husband Nichole Lemos... Richard Comeaux... Jonathan Wayne Scribner... Patty Mertz... Sandy Manning... Dancehall Townfolk Alisa Salikhov... Cassandra Lynn Stubblefield... Bar Patron (as Cassandra Lynn Walker) Kadrolsha Ona Carole... Dancehall Patron (uncredited) Michelle Smith... Farmer's Market Worker / Produced by Matt Ballesteros... executive producer Rori Bergman... associate producer producer Will Rimmer... Blair Skinner... Bridget Stokes... Coert Voorhees... Music by Sherri Chung... composer Cinematography by Aaron Kovalchik Film Editing by Suzanne Spangler Casting By Rori Bergman Production Design by Diz Jeppe Art Direction by Lindsay Lipscomb Costume Design by Olivia Mori Makeup Department Michaela Farrell... makeup department head Chelsey Fiske... hair department head Production Management Valerie Blakey... production manager Geoff Linville... post-production supervisor Second Unit Director or Assistant Director Ryan Farmer... second second assistant director Thomas Fenoglio... second assistant director Van B. Nguyen... first assistant director Art Department Bryan N. Blanton... On Set Dresser Richard Ehlert... set dresser Peder Gilham... property master Amber Hunt... Sean D. McCarthy... Set Dresser Christopher Mekhail... assistant property master Sarah Spencer... lead man Thomas Velie... Sound Department Jason Manzano... sound mixer Karlo Montano... sound utility Michael Swanner... boom operator Visual Effects by Reichal Min... visual effects Stunts Justin Hall... stunt coordinator Camera and Electrical Department John Alcera... lighting technician Amanda Bruce Parker... 1st assistant camera "b" camera Ron J. DeGuzman... still photographer Patrick Fortune... grip Heather Grothues... second assistant camera: 'b' camera Stephen Hooker... Rob McGrath... first assistant camera: 'b' camera P. K. Munson... 'a' camera operator/gimbal operator Phillip Renke... key grip Beca Rodriguez... Zachary W. Sprague... second assistant camera: 'b' camera (as Zach Sprague) Greg Travis... gaffer Wes Turner... "A" Camera 1st AC / Additional Camera Operator Steve Urban... Dolly grip Jesse Wolter... Drone Pilot Casting Department Vicky Boone... Location Casting Director Patty Connolly... adr voice casting Karlee Fomalont... casting associate Elizabeth Jackson... location casting associate Chantél Italia Johnson... casting associate (as Chantel Johnson) / extras casting (as Chantel Johnson) Mark Sussman... Costume and Wardrobe Department Chrissy Paszalek... costumer Yvonne Wilburn... costume supervisor Editorial Department Tony Costello... assistant editor Andrew Dearnley... feature finishing producer Kath Raisch... digital intermediate colorist Ben White... color assistant Location Management Jamal Burrell... location assistant Steven Hedrick Jr.... key assistant location manager Kenneth Hoot... Paul Knaus... location scout Ken Lewin... Location Manager Music Department William Boston... orchestrator Vincent Isler... scoring assistant Liz Lawson... music supervisor Script and Continuity Department Samantha Bennett... script supervisor: additional T. J. Larson... script supervisor Transportation Department Ronald D. Chambers... driver (as Ronald Chambers) Sam Craytor... driver Francisco De La Fuente... Joe Gallien... David Little... Joseph Lockwood... Phil Schriber... transportation coordinator Jesus F. Tellez... transportation captain Wilburn White... driver (as Wilburn W. White) Other crew Krystal Abbott... production coordinator Gregory Brown... production assistant Michelle Chang... production attorney Terry DeLacey... head chef Jim Dobson... publicist Brian Elder... Krystal Faye... James Jacob Gay... Ashley Harkrider... Ali D. Hopson... locations Geoff Lee... Production Attorney background actor Spencer Lundquist... production secretary Brian McMenamy... Akayla Nandi... costume assistant Mara Patton... first assistant accountant (as Mara Barr) Sam Patton... production accountant Michael Sar... background performer Megan Saturley... production assistant.

I just watched this movie with my mom. What a sweet little film. Maybe one day Ill find a ruggedly handsome man such as this one. 😊. The lost husband movie music. The lost husband novel. The lost husband movie review. The lost husband movie. The lost husband netflix. The lost husband cast. The lost husband movie soundtrack. The lost husband 2020 wiki. The lost husband 2020. The lost husband movie cast. I bet the twist is that hes her real father. The angel descends for us once again, thank you heaven for Lily Collins. The lost husband filming location. The lost husband review. The lost husband movie songs. The lost husband katherine center. The lost husband movie trailer. The Lost Husband Trailer #1 (2020) | Movieclips Indie - YouTube.

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The lost husband location. Lily Collins doesn't look like in her thirties. Watching bcos its LILY COLLINS. The movies she chooses to be in are getting better and better each year. So happy for her- Shes more than just a pretty face for sure. The lost husband soundtrack songs. The lost husband music.

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